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He was thrilled to see how Grutbrushes used his Oil Impasto Photoshop brush. He takes the qualities of the sculptures and gives them a center of gravity to create forms that have an almost physical feel, though they are only the broad strokes of a digital painting, perfectly positioned because of Martin's exquisite understanding of light and volume. You May be surprised to learn that he is not a great artist, but is actually an art director who works mainly in 3D, but this largely explains his ability to express form and volume well. Combined with Martin's lovely embrace of brush textures, this digital painting is surprisingly rich and organic. He had been lost in talking about the technical aspects of his paintings because they excited him, but what really struck him about Grutbrushes paintings was how intimate he felt when his portrait looked directly at him.